David Royston Bailey, CBE. Was born in 1938, he is an English photographer who is regarded as one of the nation’s best. By the 1960s Bailey was contracted as a fashion photographer for British Vogue magazine.
Bailey adds drama to his photographs through his use of
dynamic shaping often using his models' body parts in the composition to do
this. In this photograph you can see strong tones throughout the model's hair;
dark shades at the back and light points at the front. The model's arm is positioned so that it
divides the pictorial space in two creating a zigzag shape across the central
part of the composition. This breaks up the photograph and adds a triangle-like
shape on the left side of the image. This is then followed by placing her thumb
into her hair at the same angle as the arm, to create the same shape. Although
this is a portrait, Bailey has chosen to photograph the model with a landscape
orientation allowing space for the arm to be positioned and create drama in the
photograph.
Bailey has used black and white film, this enhances the
model's features, creating strong shadows under her chin which makes her face
appear slimmer and contoured; this gives her face a lot more shape and
structure. The model's dress is black, with a single grey and white stripe
going across the side, under her armpit. This creates balance in the photograph
and it draws your attention to the white line and this adds light and structure
to the photograph.
Bailey's photographic style is been hugely regarded and
influential in the genre of Fashion Photography and with the wider realms of
Photography. For this reason I wanted to look more closely at his work. By
studying Bailey's style of photography I have learnt how to add depth and drama
to my own work.
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